2000
2000

The Oceanics – 2

“I have a thirsty fish in me
That can never find enough
Of what it is thirsty for
Show me the way to the ocean…” Rumi, Divan: 1823

The Ocean and You

I would take middle roads, if I must
But I have to warn you,
Walking a sober slow pace is not one of my strengths.
In fact, I usually forget to walk altogether,
Distracted by the wonders of the world around me,
Until something goes wrong,
Panic strikes and the slow are trampled under feet.
Then the whirling me comes to life,
And dances its way through the dead end.
Dancing is one of my strengths.

I am somewhat unusual, I would say
I demand the right to be a foolish moth,
Anytime my heart soars,
Or the urge to fly builds up in my wings.
Sometimes flying into naked flames,
Is the quickest way to touch the glow of life.
And I must admit,
Patience is not one of my strengths.


Are you a moth?
Will you be one for me?
Do you have a dancer inside?
Will you whirl your way through times of separation?
There is so much that I know and yet don’t know about you.
Will you be patient for both of us?
Will you be patient when I ask for what I already have?
When I ask for all of you, all the time?

I understand if you feel scared
By my dancing too close to the flames.
But will you promise not to let giving
Feel like balancing on a tight rope?
When it should really feel like
Opening up to a comforting breeze.
Will you be a river and flow around the boulders that block
Your way?
Being reasonable is not one of my strengths
But I promise not to argue with the shape of the earth.


Whatever you do
You must remember
Always
To let me be the “thirsty fish”
The fish “that never finds enough of what it is thirsty for”
Being able to be thirsty is my true strength
Don’t look for a cure
Just bring the ocean in the palm of your hands
And I will let the joy of drinking every drop
Be a dance to the rhythm of our heartbeats
Piercing the silence of hesitation till the end of time

Remember! Dancing is my other strength.

St. Louis, September 10, 2000

The Oceanics – 1

“I have a thirsty fish in me
That can never find enough
Of what it is thirsty for
Show me the way to the ocean…” Rumi, Divan: 1823

The Ocean and Me

The thirsty fish is here
All day…all night
The ever longing for more
The dream of a distant blue
And the captive seagull inside
Agitating to break open the cage of my body.

“How much more of this longing can I take?” I speak into
the void, hoping no one answers back
And hear my own panic-stricken voice
“Where is the ocean? Is there an ocean?”
And sit as waves of fear wash over my exhausted body…

My anger finds a chance – and a tired
And does not lose a moment”:
“What do you call this? Longing?
“More a devastating quake”
“A fiery flash of lightening
“That leaves no greenness alive”
“And God, it is pathetic!
“The way you are drawn to it!
“As if its fiery lashes
“Were a refreshing drink of water
“Or food from heaven for your starving soul
“Don’t you see? This ‘longing’ only feeds itself!”

I am too tired to argue,
And smell conspiracy in everything
Even in the gentle whispering unknown
That echoes in my heartbeat:
“Run!
“Run to the flame and end it all!
“Don’t be afraid!
“This is the way to begin”

There is all the temptation in the world to do just that
But I am too tired to run
Tired even to be afraid
All I can do
Is to grab the confusion of the moment
And hold it tight
Feeling the comfort of not being able to clarify anything
Or to tell who is “right”


I wake up to a gentle comforting breeze
And to the thought of your smile,
A shimmering cool blue on the distant horizon
I reach out and feel
The wave of serenity
That wraps around my whole body

And look!
I never set foot outside my shady garden
The ocean journeyed to meet me!

St. Louis, Sept. 7 2000

Too Much Like History

We begged him to come
Not because he was desperately needed
But because his absence would have left a dangerous gap
We could not afford.

He arrived
After a lengthy debate with himself
With a quiet disposition
And a sincere disbelief in our good will.
Later,
In small gatherings in which we tried to make him feel at home,
He would often not say much
Except in shy disjointed phrases
That came out as loud bursts of disagreement.

One could have even liked
These crude, almost offensively honest, remarks
If it were not for the arrogant conviction in his voice
That he could not be other than right.

His face lit up when manuscripts and dictionaries were mentioned
It was almost as if someone else had temporarily borrowed
His face.
He loved languages
And most of all roots of verbs
Not because they could be celebrated as fertile sources of derivation
But because he could substitute
A history of their morphological behavior
For curiosity about the splintered, panoramic allusions
They must have spread in the air
When people of the past spoke them
In fact, verbs loomed so large on the horizon
That little room was left for the speakers.

In a way, the entire history was a nuisance
A disruption of the “truths” one ought to be seeking
The “truths” he knew had always existed
Tucked away in between the golden layers of classical ages
And had been known
To unrivaled masters of conceptual skills
Beyond the grasp of many a modern intellect.

Now, he stood shoulder to shoulder with these masters everyday
And unearthed such truths from the disappearing depths of rarely
Understood texts
Celebrating, in the process, the self-inflicted loneliness that
Despite its chronic pain
Made him shine like an old precious jewel
Set on a cheap machine-made modern ring
But a rare jewel nontheless.

The students resisted him, with all their young stubborn might
We did not press them to change their minds
When the end of his short term with us came
He did not insist on staying longer
Neither did we.

He took his quiet disposition, love for verbs,
And occasional loud disagreements…and left
Having never touched us or been touched by us.
Two passers by going in opposite directions
We found ourselves face to face for one instant
And bowed
Not out of overwhelming reverence, I suppose
But because a handshake would have been a lie.

Perhaps we were too unpredictable, too noisy, too disturbing
For him.
Perhaps we disrupted the neat conceptual arrangement of the
“truth” as he knew it.
Perhaps we were too much like history
Moving too fast for comfort
And better to be avoided.

St. Louis, Sept. 2000

Presence

Back from India
Still fragrant with spices and colorful silk
Radiating the serenity of walking in shady bazaars
She runs into me in the corridor of Busch Hall
And that brings tears to her eyes
Overwhelmed with the generosity, I put my arms around her

Back in my office – still overwhelmed-
I reach out for Rumi’s Divan
And start with a short ghazal
Which opens like a gentle discrete song
And there upon, in his shocking habit of teasing and tricking
Expands quickly beyond the page
Until it spreads beneath my feet
Like an exquisite red carpet
Leading from the second floor of Busch Hall
To some remote, inviting, intimidating Mountain top.

“What a place to be ecstatic in!” I think to myself
I think, half amused, as I close the door of my office,
And get distracted with the curious light that filters through the shades
The pulsating unknown!
And the joy!
That spreads like a wave of heat
Or an explosion of light
From the core of my body to the smallest object in the room
And my heartbeat in the background
Like a magnificent daf played by a master drummer
Interrupting the flow of silence
With neatly carved pieces of geometric sound

Holding tight to my chair
In the left corner of my office – with my back to the computer
And still worried about the class I am to teach in half an hour
I know exactly what happened 760 years ago
When someone I know well whirled for the first time.

St. Louis, August 31, 2000

ON THE INS AND OUTS OF FALLING

The air cushions we intend to use as parachute
Have a way of turning into slippery soap bubbles
Appearing to fly until one reaches out to touch
No bubble! No hope to flay! No room for speculation!

The highly empirical experience of falling off the edge of the bed
Does not amount to much either
No rude awakenings of any kind
Just a general disappointment with life
A vague difficulty with rising above oneself!
And almost always…back to business as usual

So easy to stay tired, dissatisfied, and overworked
To never have the time to look
At the cruelty of the lie you have not told
But have not disclosed either
The lie that has now spread itself to every corner of your life
Like a drop of black ink
In a bowl of clean water – pale, pervasive, permanent
And smoothly spread

So much easier to chase a family of enchanting ducks
In their noisy tour of the lakeside
Than to preside over
The quarrel in a family of hungry squirrels
Involving a single acorn
So much easier to play in the safety of a sandbox

Why in all of elementary, intermediate and higher education
We don’t ever teach our children
That life is no one’s fault?
It just happens to happen on the edge of nothingness
As we tiptoe around pointed rocks
To avoid falling into the seemingly deep valley
And unless we pick the contradictions
That camouflage as smooth surfaces one by one
Hold them in the palm of our hands
And endure the pain of their impossibility
Our horizons will never stretch beyond the sandbox

May be someone ought to offer a course
On the ins and outs of falling

St. Louis, August 23, 2000

I Do this for a Living

What do I do for a living?

When I am tired of detecting holes in the tapestry of tradition
And making up outrageous ways to patch them invisible
I watch birds
I watch birds that grow
From the palm of my poets’ hands
Tracing with fascination
The patterns of their dizzying flights
Over the tall hedges of centuries
Making their way back
Onto the horizons of now

And when I am not bird watching
I make broken mirrors
Smudged with sticky emotions
I have struggled hard to tame
And have mercifully failed
Mirrors, broken with intention
But not along the lines I had carefully predicted

A crooked way to find my own face
Through lending you my eyes
To see yours
But not without its redeeming moments
Like hoping all the while
That despite the scarcity of light
Despite the impatience with rising after each fall
And despite the intolerance with pain
I might someday help someone to suspect
That falling in love has a million faces
If only we had a million eyes to see

August 11, 2000

I will live before I die

Sorry folks!
I refuse to see it any other way
No offence!
But I have my own eyes
And I am not ready to die
Not before living some

I’ll be me I guess
Shaky, like “willows in the wind” as we say in Persian
Yeah…, from time to time
Sad, like the fenced yards I pass by everyday? Perhaps…
And lonely
Like the crescent moon hanging up-side-down
every third or fourth afternoon of the lunar month
But not dead
I’ll live some before I die

It hasn’t been that bad actually
I used to run into strange-looking faces
In deserted corners of my dreams
Tricky business! Chasing them into day light
And looking them in the eye
Till they looked like scarecrows
But guess what!
They are gone now

What did I have for a weapon?
Goodness! Nothing, nothing
All I had was being me
Or you might say
The simple privilege of knowing
Who I could not be!

And, yeah…
There was that thing, too
That thing about not lying
Never, to anyone, about anything
Not even for a split second
Not even about the shape of a stupid snowflake
That defies the naked eye anyway
Yeah, that was kind of important, I would say.

And you know what?
It hasn’t been too bad
So,
I am going to live some more
Before I die.

August 6, 2000

An Evening Swim

Tomorrow at sundown
When I step into the lake by myself
Playful little waves rush to my anxious feet
And the sun’s molten red glow
Greets my body in the stillness of the moment

As the lake and I rediscover each other
None touches the depths of our solitude
But dragonflies and see weeds

There I stand
Reflected in the water – not in your eyes
Leaning against the stillness of time
Untouched by your voice
Holding the ode to freedom – the predictable, over stretched, overused ode
To freedom – in my hands
And remold it in ways unforeseeable to my own fingers.

Later,
Singing crickets in trees around the lake
Have snatched my noisy thoughts
I am peace
And the water’s smooth crystal surface
Mirrors my perfect satisfaction
The lake and I have merged
With the melting darkness of the new night.

Later still,
The kids race to the motel’s big theatre
For their evening movies
And the line outside the ice cream stand is the longest.
I walk back to the cabin
With a towel in one hand
And a poem in the other.

August 1st, 2000

The Pine and I

I reach out and touch
The tip of the needles on a lonely pine tree

-As I pass through the park
And stumble on a tender spot deep inside.

What is it that hurts so?
When someone hits you in that spot with good intentions
The rawness of their insensitivity?
The universality of their clumsy moves to cover it up?
Or the fact that you had hoped for something better?

I pull my hands away from the needles
And continue to walk

July 26, 2000

Possibilities of Whispering

No use kicking the walls of the prison
Scratching your throat with loud cries of anger,
History yawns at noisy displays of despair
What if I lost a pair of bruised feet
at the threshold to oblivion?
Or your scream echoed for two whole seconds in the hollow chamber?

Hold my hand
Hold my hand…and look!
Look, how I grow silently into a giant palm tree
Bursting my hot humid greenhouse open
To sip the fresh cool vibrating blue
And stand on the edge of this open field
With endless possibilities of whispering in the wind.

Then, come closer
Push the doors of my solitude open
Take a long look at me
In this happy, delirious, talkative state
And tell me I am not dreaming.

July 24, 2000